Hokusai

Do you have doubts about the size?
Check out these examples

Men's sweater 

Deadline 30 days to make changes or returns.

SPAIN: Free exchanges

More information

ESPAÑA: FREE SHIPPING FROM 55 €
Shipping 1-2 business days

EUROPA: FREE SHIPPING OVER €200
Shipping 3-5 business days

• 5€  Spain
• 9 € Germany, Italy, Netherlands, France, Portugal, Belgium, Croatia, Czechia, Hungary, Norway, Poland, Romania, Slovakia, Slovenia, Austria Greece, Bulgaria, Estonia, Ireland, Latvia, Lithuania, Luxembourg
• 19€ Denmark, Finland, Sweden
• 27 € Switzerland
• 17,40€ England

100% recycled
Composition 20% recycled wool and 80% recycled acrylic

Every year, around 92 million tons of textile waste are generated. Our jerseys recover these materials to give them a new life.

We tell you how we make the sweaters

Recycling in Olot (Girona)
Yarn in Sabadell (Vallès Occidental)
Woven and made in Espluga Calba (Les Garrigues)

Washing: You can wash it by hand (with cold water) or in the washing machine (maximum 30 degrees).
We recommend turning it upside down to prevent it from forming balls.

Drying: Avoid tumble drying. Simply leave it out to air dry.

Ironing: Avoid touching the fabric with the iron, only steam from a distance.

Katsushika Hokusai
Painter (1760 - 1849) Tokyo, Japan

Hokusai was an energetic artist who rose early and painted until dusk, and he worked in this way until the last days of his life. Of Hokusai's approximately 30.000 works, the Thirty-six Views of Mount Fuji are particularly noteworthy. This famous series of 46 colour prints marked a milestone in Japanese landscape printing, as Hokusai's grandeur of design and skill of execution had never been seen before. This tireless painter, or "old man mad about painting" as he called himself, died at the age of 89, surely without having satisfied his search for truth in painting. "At the age of five I had a mania for making sketches of things; by the age of 50 I had produced a great number of drawings. However, none of them had any real merit until the age of 70. At 73 I finally learned something about the true form of things, birds, animals, insects, fish, grasses and trees. Thus at the age of 80 I will have made some progress, at 90 I will have penetrated further into the essence of art, at 100 I will have finally reached an exceptional level and at 110 every point and every line of my drawings will have a life of their own."